For as long as I can remember, I've been captivated by the world of moving images. As a kid, I loved exploring various forms of media, from audio cassettes to videotapes. The concept of multimedia has always intrigued me. Before I even realized that one could be a serious artist or filmmaker, I was already fascinated by these formats. Throughout school and beyond, image making has been at the core of my creative pursuits, both professionally and personally.
Photography and cinema have always been closely linked in my mind. In recent years, I've delved even deeper into this relationship, incorporating stock footage, public domain films, and other cinematic sources into my artistic practice. One way I've channeled this creative curiosity is by adding video embellishments to live musical performances. I've long dreamed of creating stage projections akin to those at concerts I've attended, like Anton Corbijn's visuals for Depeche Mode or U2, or the underground film footage at 1980s concerts at the Ritz in New York City.
In the past few years, I've had the opportunity to create multiple video projections for Chatter, an Albuquerque-based chamber music ensemble. They have given me the creative freedom to experiment with video on a larger scale. However, the technology for projection software and video manipulation is constantly evolving. The simple software I once used is no longer supported, so I'm always on the lookout for new solutions.
Recently, I discovered a fantastic software called VDMX5. I have a huge project coming up in a few weeks that requires reliable software for live video manipulations in a concert setting. VDMX5 has proven to be the perfect solution. It's powerful, easy to learn, and highly customizable, meeting all my needs. Not only am I thrilled about this upcoming performance, but VDMX5 has sparked new ideas for future video projects and public performances. I can't wait to see what else I can create with this amazing software. A big thank you to the makers of VDMX5!