Creatively, I consider myself a blue-collar artist. I did not go to a fancy art school or leverage a Yale MFA for the golden ticket into the art world. I make my art as part of my every day life. I sympathize with the every day workers specifically in the creative field. Right now there is a writer’s and an actor‘s strike in Hollywood, something that I personally support. In a larger sense, I am a supporter of unions protecting the rights of workers.
Recently, I joined a union myself. Not a worker’s union per se, though some might consider it an art workers union. I recently joined an online group, called the Union of International Mail Artists. This group has been active for decades, and centers on the sharing of artwork via the Postal Service. Their credo aligns perfectly with how I feel personally about my art. I believe in sharing freely and I really enjoy when art has no financial entanglements attached to it. The main activity of being a member of this group is finding mailing addresses of members on the UIOMA website and then sending these members artwork through the mail. It has been a satisfying endeavor so far for me, sending out my handmade postcards to strangers around the world. Perhaps even more satisfying is having random pieces of art show up in my mailbox on my front porch from time to time.
There is a subversive anti-establishment streak that permeates this group that appeals to my own small version of fighting the system. Sometimes finding like-minded people out there in the world is all a person needs to be reminded that they are not alone, and that they are on the right path.
The union forever!
Manifesto
A few months back I wrote up a list of my creative beliefs. These were relevant only to me, and only for that given moment. The more I sat with the list, and let it gestate, the more I liked it as a sort of ad hoc manifesto. You know, all the great movements seem to have a manifesto. Karl Marx had his; Martin Luther nailed his to the church door. The Situationists, the Dadaists… hell, even my therapist helped me focus on a Dharma code…a spiritual, intention focussing manifesto, so to speak.
I have this current manifesto stuck to my studio wall, and also have it as my laptop wallpaper, so I look at it on a regular basis. I incorporated different influences; some from improv, some from my therapy, some from my art studies, and some from my rage and depression (if I’m being 100% transparent, which I am…)
I thought I’d share it here, in hopes that it pushes you, dear reader, to consider your own creative, personal, expressive values.
Some thoughts on each:
“Inactivity is not laziness.” There is great value in doing nothing, and if given the time and space, to do nothing for as long as possible.
“Destruction is creation.” I cribbed this from Picasso, thought I think it is a biblical idiom originally. It really rings true for me, especially in regards to my art practice over the past couple of years.
“Give things away.” Sharing my thoughts, my words, my blog, my podcast, my zines, my photos is an integral part of my interaction with my muse and with my world.
“Expect no reward.” Money, fame, and validation are all fine and good, but I try to create (and to live) with no expectations of profit, monetary or otherwise.
“Expect no audience.” No one gives a shit about you and your artwork. Make it anyway.
“Make boredom valuable.” Much of life is underwhelming, if not outright mind-numbing drudgery. Use this reality as fodder for thinking of things to create.
“Make something every day.” Take a photo, write a note, sing a song, bake a loaf of bread. One creative act a day keeps the wolves at bay.
“Remain curious.” Hard to be bored when there is wonder all around you.
“Say ‘Yes, and…’’ ” As in improv, so in life. Agree and add to other ideas. Saying “no” ends all potential immediately.
“Be the ‘you’ the world needs.” A bit woo woo, a bit snowflakey, but I don’t care. You were born, you’ll die. Be the best version of yourself you can be.
“Live until you die.” Like they say in Shawshank Redemption…. Didn’t realize it was a Stephen King quote.
Blue Line Swinger: a short film
I took a trip to Marfa, Texas back in March. It is one of my favorite places to visit. There is something about the wide open spaces of the high desert of West Texas, mixed with the artistic, bohemian vibe that speaks to me. I am comfortable there. I popped a hit of sunshine and wandered the empty streets as the sun started its descent to the western horizon. This film was shot on my grandfather's old 8mm magazine camera. It was basically a test roll to see if it still worked. Lo and behold... Music by Yo La Tengo, used with only the utmost honor and respect.
Enjoy The Silence
With family, work, art and performances taking up so much bandwidth, I finally have some time with “nothing much going on.” Which has it’s own challenges, to be sure. We humans like to be busy, or do we like to be lazy but are forced to be busy? Not sure if this drive is intrinsic in our DNA or if it is the result of some Christian work ethic (what is the source of the seven deadly sins, after all?) but it is the twin poles of an ongoing existential dilemma for me. Quiet times open the door for introspection, which opens the door for melancholy, which opens the door for depression. But the other side of that coin is overwork, over stress, tension, anxiety…and a desire to break free of all responsibility. So where is the middle ground? I have been trying hard to be at peace with the “in between” times, the silence, the quiet, the time of not much happening. Maybe there is some Buddhist tome that would explain it all to me. Maybe it’s just the burden of having a brain that never turns off, even when it is at rest. For now, I’ll just try to BE. Enjoy the silence.
Jetty Jacks and Futility
Along the Rio Grande in Albuquerque is the wild, wooded bosque. This buffer of land has traditionally acted as a flood zone, at the mercy of the rainfall and erosion that naturally occurs in these parts. Decades ago, an anti-flooding scheme was developed by the Army Corps of Engineers; an attempt to create some kind of defense to the whims of nature. Thus, much of the bosque is littered with these oversized steel and wire objects, known locally, affectionately as “jetty jacks.” There is an official name for them, I’m sure. I prefer the colloquial name, though. They acts as a sort of found sculpture for hikers and bikers along the river. They also remind me of something you might see along the front lines of a war zone ( in my mind it would be WW2, but I’m guess the war in Ukraine might be relevant as well.) The attempt to have the banks of the river conform to this kind of control may seem futile. Another thing that seems futile is my ongoing attempt at trying to create a good photograph of these jetty jacks. I’ve attempted dozens of times, and each time I fail to capture the essence of these metal beasts that dot the landscape near the river. I have yet to find a way to capture the scale, the geometry, the complexity and the oddity of these objects in their environment. I tried again today, while out on a (hopeful) mood shifting walk; see attempt above. Maybe this white whale will elude me forever. I’m sure to keep trying nonetheless, even if it is just an exercise in futility.
Reelin' In The Years
Self-reflection is important. It is also something most of us do in private, if at all. With that in mind, the less I say here about my time back in my hometown, the better. Or at least better for me, as I never wanted to be the kind of person that airs their inner drama in public. (Irony is not lost on me that I’m writing this on a public platform…) Nonetheless, as an artist, part of my drive is to share, otherwise I might as well be building sandcastles on the shoreline, all by myself.
Sifting through decades-old ephemera found in closets and backs of drawers in my childhood home has pushed my inner reflection into overdrive. Spending time with my aging father, while finding little remnants of my younger self has created waves of ennui that wash over me, like low tide on the Atlantic coast. What is there to life but remnants of our past and hopes for the future, bookending the present. The ephemeral present.
Sanctuary
It’s been a hard year so far, and I have not felt grounded at all. Death has come, from both near and far. Work provides a modicum of distraction, but when things get quiet, my mind wanders often through darkness. These days have brought me a deeper appreciation for my studio practice; it truly is my sanctuary. I also find the destruction, the burning, bleaching and taping of my photographs to be even more cathartic than it was in the past…as is expected I suppose.
Apropos, I’ve been listening to a lot of bleak music lately. Lou Reed has made a regular appearance on my playlist. I spent some time with his rather dour album, entitled “Magic and Loss” and though I was very familiar with the record, this time it struck much closer to home for me. I channeled some of his words and thoughts into my current artwork. I’m not sure of the value that these words may add to my images, but for now hanging on my studio wall. They are a reminder that pain does indeed wash into all of our lives, but that we must forge forward regardless.
Goodbye 2022
This has been a year of dabbling, discovery, testing and playing in my studio. I took the foot off the gas pedal as far as self-publishing is concerned, though oftentimes I felt that I was hungry for the tangle direction and demands that those kinds of projects provide. Still, I enjoyed the luxury and privilege of time to tinker with new ideas, without any pressure or expectation from anyone except of myself. I kept myself busy in many ways, large and small, and I take the lessons learned this year with me as I look forward to 2023. I wish health, safety, creativity and peace to all of you in the coming year.
2022: 47 Winding Down
The last, waning days of autumn are very soon going to surrender to winter. The chill in the air has now evolved into true, bracing coldness. The time for quiet reflection is now upon me. Thus, I will take some time away from these pages and turn inwards. Silence can speak volumes.
2022:46 World Cup
Watching World Cup matches precludes my ability to write a full entry this week. Instead, above is a photo I took in Porto, Portugal in 2015.