"A sequence of photographs is like a cinema of stills. The time and space between photographs is filled by the beholder … The spring-tight line between reality and photograph has been stretched relentlessly, but it has not been broken. … abstractions of nature have not left the world of appearances; for to do so is to break the camera's strongest point-its authenticity." - Minor White
I’ve been doing a deep dive into the work of Minor White this week. He was a major figure in 20th Century fine art photography, but oddly, he seems to have fallen off the radar somewhat nowadays. Perhaps if you were required to watch a short video about him before you get to your latest camera review video on YouTube, White would garner more interest. He certainly deserves it.
Minor White was part of the circle that brought legacy to the art of photography in the mid 20th century. He was a pal of Ansel Adams (I won’t hold that against him) and Paul Strand, and was heavily influenced by Alfred Stieglitz, both in style and in his theoretical approach to image making. He was the first editor of Aperture Magazine, a pillar of the art form since its inception. He was also one of the first photographers to consider the importance of sequencing his work. In fact, much of his body of work has been presented in groupings entitled: “Sequence…”
His photos ran the gamut from landscape and structures, very much in the style of his friend Ansel. However, it seems that only after he suffered some health issues, which precipitated an embrace of Eastern philosophy, that his work took a stronger turn toward abstraction and expressionism. Though close ups of ice formations and peeling paint might seem a cliche or trope nowadays, Minor White was one of the first to explore this subject matter with his camera. When one considers the prominence of the hand-held camera and burgeoning “street” aesthetic that was gaining ground when he was producing this kind of work, White should be commended for going against the grain, in a sense.
There are plenty of examples of this master’s work out there on the internet, though I do suggest trying to track down his photos in book form. They really do reward the viewer when seen in a more tangible format. The time gazing at a Minor White abstraction in a hardbound photo book is a short, meditative escape from the present world. Your moment of Zen awaits.